Nhân has made over 2,000 pictures that have been delivered to customers both at home and abroad. Now, when the picture is finished, it can be freely wiped with water because it is waterproof,” he said.Ī melaleuca bark picture depicts Buddha Shakyamuni. In particular, instead of using regular glue that could potentially alter the natural colours of the material over time, the artist has opted for a special adhesive commonly used in construction. The name melaleuca comes from the Greek words melas (black) and leukos (white), and the creator must choose the bark carefully to accurately depict vibrant and lifelike scenery to touch the viewer's soul. To create a beautiful and soulful collage, besides sketching the outlines, meticulous attention must be given to selecting and separating layers of the bark, considering their colours, and arranging them appropriately within the composition.īark colours include off-white, light and dark brown, and near black. To prepare for the material, Nhân had to visit numerous melaleuca forests in Kiên Giang, including U Minh Thượng National Park, to find the bark of mature and long-standing trees. However, when working with natural colours and incorporating textured elements, one can still create a complete picture without difficulty,” he told Việt Nam News. “In general, when it comes to melaleuca bark, the colour range is not extensive, revolving around three to four colours including white, light yellow, dark yellow, and green. Nhân's pictures take viewers on a journey through the landscapes and narratives of his homeland.- Photo courtesy of Lê Hoàng Nhân Most of them beautifully depict typical images of southwestern Việt Nam like rustic cottages idyllically shaded by rows of coconut trees on the banks of the flowing river, lush paperbark forests, village pathways, verdant rice fields, as well as many other renowned landmarks of Kiên Giang Province. The picturesque landscapes of his homeland are the central theme in Nhân's works. It is a fantastic medium for this type of landscape collages. In some species, this papery bark can grow up to five centimetres thick before peeling. The bark of many melaleucas plant is distinctive, often made up of multiple thin layers of paper-like cork separated by thin fibrous layers. From there, Nhân relied on his own research and exploration, utilising his innate talent and abilities to create lively pictures from the papery bark. ![]() He first came across tree bark collages in 2004, seeing them on social networks and displayed at local exhibitions. He used to actively participate in mural and poster painting, which provided him with a basic understanding of artistic composition. Surprisingly, Nhân has not received any formal training in fine art, and the 41-year-old agricultural engineer discovered his gift when he was at secondary school. Nhân is pictured with the medium for his artworks - melaleuca bark. His pictures were recognised as typical cottage industrial products of the region by the Kiên Giang Department of Industry and Trade last year, and granted a 3-star OCOP (One Commune, One Product) Certificate by the Provincial People's Committee. They evoke emotions, provoke contemplation, and invite viewers on a journey through the typical landscapes and narratives of the southwestern region. Many of the collages have travelled to international destinations, finding homes in Russia, Japan, India, and beyond. His dedication and talent have gained recognition beyond his village and country. ![]() Lê Hoàng Nhân has dedicated himself to creating these 'bark pictures' for over 15 years. The papery bark of the tree is usually discarded or used as firewood, but a man in Đông Hưng B Commune in Kiên Giang Province discovered its hidden value, utilising it as a medium to make captivating pictures that vividly depict his homeland. ![]() ![]() The southwestern region of Việt Nam is home to vast melaleuca forests with numerous medical and economic benefits. A melaleuca bark picture depicts the typical rural landscape of the southwestern Việt Nam.
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